BFA Fine Art Print Sale at the ARC

Start Date

Tuesday February 28, 2023

End Date

Thursday March 2, 2023

Time

10:30 am - 3:00 pm

Location

Queen's University Athletics and Recreation Centre

After two years of COVID, the BFA Fine Art Print Sale is back in-person at the ARC. Come by to view and purchase amazing impressions that BFA Fine Art students have made in the print media classes offered at 91ºÚÁÏÍø.

Show your support for the BFA program Fine Art students! 100% of sales goes back to BFA students and 4th Year BFA Exhibition fundraising.

BFA Fine Art Print Sale at the ARC

 

New immersive undergraduate course offered jointly by Departments of History and Art History & Art Conservation

The Departments of History and Art History & Art Conservation are jointly offering a new, immersive course available to undergraduate students in the 2023 Summer Term: From Confinement to Cultural Heritage: Digital Preservation and the History of Kingston Penitentiary.

Article Category

Media Cosmologies: free public talks at the Agnes

Date

Friday March 10, 2023
3:00 pm - 5:00 pm

Location

On Friday, March 10, 3:00-5:00pm, join the Agnes Etheringston Art Centre for Media Cosmologies: an international conversation on art, technology, and transmission with Cheryl L'Hirondelle and Callum Beckford. The free public talks, given by Governor General's Award-winning artist and musician Cheryl L'Hirondelle (Cree/Halfbreed; German/Polish) and artist and musician Callum Beckford (Cree/Métis; Jamaican/German), celebrated the ongoing restoration of one of L'Hirondelle's artworks, vancouversonglines.ca (2008); the work will be accessible to the public for the first time in years, presented on computer terminals in the Agnes' atrium. 

Please contact Prof. Jen Kennedy with any questions.

Governor General's Award-winning artist and musician Cheryl L'Hirondelle (Cree/Halfbreed; German/Polish) and artist and musician Callum Beckford (Cree/Métis; Jamaican/German), to give public talks at the Agnes
An image from vancouversonglines.ca (Cheryl L'Hirondelle, 2008), currently being restored at the Agnes Etherington Art Centre.

 

Hands-On History Workshop with Pamela H. Smith

Start Date

Thursday March 2, 2023

End Date

Friday March 3, 2023

Time

5:30 pm - 4:00 pm

Location

The Departments of History and Art History and Art Conservation are sponsoring two events with visiting speaker Pamela H. Smith, Seth Low Professor of History and Director of the Center for Science and Society at Columbia University.

Following The Department of History’s John M. Sherwood Memorial Lecture in History of Science and TechnologyLizards, Metals, Stones, and Sands: Practical Investigations and Vernacular Knowledge Systems in Early Modern Europe, free and open to the public on March 2, 2023 from 5:30-8:00pm, Professor Pamela H. Smith will give a workshop sponsored by the Department of Art History and Art Conservation: 

The session will introduce methodology of historical reconstruction using the hands-on resources developed by the Making and Knowing Project for use with Secrets of Craft and Nature in Renaissance France. A Digital Critical Edition and English Translation of BnF Ms. Fr. 640. Following introductory search and analysis exercises, there will be a hands-on session; participants are encouraged to bring a laptop, clothing they don't mind getting dirty, and "a sense of adventure".

The workshop happens on Friday, March 3 from 1:00-4:00pm in the André Biéler Studio at the Agnes Etherington Art Centre. Graduate students in History, Art History, and Art Conservation and upper-year undergraduate students in the BFA program may . The application deadline is Feb. 20, 2023.

The Department is grateful to the Agnes for its generous support of this event.

Departments of History and Art History sponsor upcoming events
Creating stucco in the Making and Knowing Lab, Columbia University.

About Pamela H. Smith: 

 is Seth Low professor of history at Columbia University, and founding Director of the Center for Science and Society and of its cluster project  ().  Her articles and books examine craft and practice, and its relationship to scientific knowledge. The Body of the Artisan (2004), and From Lived 91ºÚÁÏÍø to the Written Word: Reconstructing Practical Knowledge in the Early Modern World (Chicago 2022) make a case for treating craft/art as a way of knowing. Her edited volumes, Ways of Making and Knowing (ed. with Amy R. W. Meyers and Harold Cook, pbk 2017) and The Matter of Art (ed. with Christy Anderson and Anne Dunlop, pbk 2016), treat materiality, making and meaning. An edited volume, Entangled Itineraries: Materials, Practices, and Knowledges across Eurasia (2019), deals with the movement of materials and knowledge across Eurasia before 1800. In a collaborative research and teaching initiative, , she and the Making and Knowing Team investigate the intersection of craft making and scientific knowing by text-, object-, and laboratory-based research on the technical and artistic recipes contained in a sixteenth-century French manuscript BnF Ms. Fr. 640. In 2020 they released a digital critical edition and English translation of the manuscript, .


Banner image caption: Creating molding sand in the Making and Knowing Lab, Columbia University.

Melnikov, Daria

Daria Melnikov

Daria Melnikov

Ph.D. Candidate

Art History Program

Major Fields of Interest: 19th-20th-century medievalism and material culture, collections and museums in Canada

Undergraduate 91ºÚÁÏÍø: BA University of Toronto, Art History & German Studies

Graduate 91ºÚÁÏÍø: MA 91ºÚÁÏÍø, Art History

Supervisor: Dr. Matthew Reeve

Bock, Claude

Bock, Claude

Claude Bock

Ph.D. Candidate

Art History Program

Major Fields of Interest: Intersections of Truth and Reconciliation and Indigenous art; the impact of settler-colonialism on Canadian comic books and graphic novels; the art of Jewish diaspora; public art, monuments, and memorials.
Undergraduate 91ºÚÁÏÍø: Concordia University, BFA in Art History (2014)
Graduate 91ºÚÁÏÍø: Western University, MA in Art History (2016). Thesis: “The effects of the Truth and Reconciliation Commission of Canada on Contemporary Indigenous Artâ€
Dissertation Topic: The impact of settler-colonialism on Indigenous representation in Canadian (as well as Canadian content) comic books and graphic novels along with how Indigenous creators are claiming the medium control their own representations and identities.
Supervisor: Dr Norman Vorano

Adeniji, Adekunle

Adeniji, Adekunle

Adekunle Adeniji

Ph.D. Candidate

Art History Program

Major Fields of Interest: African art history, art criticism, post-colonial modernism in Africa, comparative/cross-cultural studies, and visual cultures 
Undergraduate 91ºÚÁÏÍø: Bachelor of Arts: Fine Arts, Obafemi Awolowo University, Nigeria (2009)
Graduate 91ºÚÁÏÍø: Master of Arts: African Studies (Visual Arts) University of Ibadan, Nigeria  (2014)
Dissertation Topic: Contemporary Stone Sculpting in Africa  
Supervisor: Dr. Juliana Ribeiro de Silva Bevilacqua