91 recently hosted the second of three workshops exploring how medical cultural heritage can be sensitively curated to support medical and health humanities research, education and public engagement towards the foal of increased health equity.
The first workshop took place in Uppsala and Stockholm and focused on Reconciliation and Indigeneity. More information and reflections can be found .
Congratulations to Professor Robertson on receiving this honour.
Clive Robertson was a full time faculty member in the Department of Art between 1999 until his retirement in 2015, where he taught contemporary art theory, history, and practice.
For information on the award please visit the .
Date
Monday December 9, 2024Location
91 offers the ONLY Art Conservation Master's program in Canada. Students are able to combine their interests in arts AND science.
Art conservation is the practice of safeguarding cultural heritage through research, documentation, and treatment. Conservators and conservation scientists examine, analyse, document, treat, and create strategies for care which consider tangible and intangible values. Our grads work in museums, galleries, and research institutions around the world.
It is important to inform students about our master’s program as early as possible, as there are required courses that students need to complete in either the arts or chemistry before they apply.
At the webinar you will hear from both students and faculty. There will be plenty of time for your questions during the Q & A period at the end of the webinar.
Thank you for distributing this to interested students and faculty. You can also reach out to one of our Art Conservation graduate program representatives with any questions you may have.
Ph.D. Candidate
Art History
Major Fields of Interest: African art; African photographers; Contemporary art; History of African photography.
Undergraduate 91: Bachelor of Visual Arts (Honours), Federal University of Rio Grande do Sul, Brazil (2021).
Graduate 91: Master of Visual Arts, Area of Expertise: History, Theory and Criticism, Federal University of Rio Grande do Sul, Brazil (2023).
Supervisor: Dr. Juliana Bevilacqua
Date
Monday November 18, 2024Location
Jennifer Velva Bernstein Performance HallFree event! Sign up here.
Date
Friday November 15, 2024Location
Isabel Bader Centre for the Performing Arts
Date
Friday November 15, 2024Location
Ontario Hall Grad LoungeDate
Tuesday November 19, 2024Location
Watson 517Hands that heal, looks that kill: toward a fabulous history of Marian architecture in Gothic England
Post-Doctoral Fellow
Art History
Major Fields of Interest: Italian Renaissance Art, Devotional practices, Private chapels, Drawings, Making process, Early Modern Embroidery
Graduate 91s:
M.A. Art history, University of Montreal, 2015.
Ph.D. Art history, University of Montreal, 2021 (with the highest distinction). Dissertation available on:
to be published by Brepols in 2025 under the title Le Château intérieur. Image, espace et dévotion chez les cardinaux de la Rome post-tridentine
Postdoctoral Fellowships :
Postdoctoral research project: Drawing and Praying: Rethinking Religious Sketches in Sixteenth-Century Italian Art
Supervisor: Una Roman D’Elia
Publications:
M.A.C. Candidate
Art Conservation Program
Stream: Treatment
Specialization: Artifacts
Areas of Interest: preventive conservation, Romanesque and Gothic art, outdoor sculpture conservation, contemporary art
Katie Ramirez graduated from the University of Mary Washington in 2016 with a Bachelor of Arts in Historic Preservation and Art History. During her studies, Katie held various internships in collections management, curatorial, archaeology, museum education, and conservation. After graduation, she continued working in the cultural heritage field, furthering her conservation skills. Katie has interned at the McKay-Lodge Conservation Laboratory, Department of Historic Resources in Richmond, Toledo Museum of Art, Art Institute of Chicago, and New York Historical Society. Throughout her internships, she assisted with condition and treatment reports, technical imaging, collections care, environmental monitoring, administration work, and more. Before admittance into the MAC program, Katie worked for a private client to inventory a massive art collection through cataloging, photo documentation, and storage solutions.
